Marissa Higgins
On Writing Authentic Sex, Banging Out Drafts, The Privilege of Being Unemployed, and Her Debut Novel ‘A Good Happy Girl’
Conversations with writers and editors about what matters in the industry.
On Writing Authentic Sex, Banging Out Drafts, The Privilege of Being Unemployed, and Her Debut Novel ‘A Good Happy Girl’
On Starting Where it Hurts Most, Writing About the Death of a Spouse, Creative Constraints for Revision, and Her Debut Memoir ‘Here After’
On Restraint-Based Writing, Setting Rules, How a Mother Should Be, and Her Novel ‘Contradiction Days’
On Choosing Your Uncertainties, the Different Stages of “Finished” and her debut story collection ‘A Kind of Madness’
On Self-Portrait as a Portal to Exploring Polyamory and Unconventional Love Stories
On Diaspora, Grief, and Writing About Living Family, and on Her Memoir ‘The Translator’s Daughter’
On Writing a Novel Together, Challenging Dominant Narratives of Otherness With Pure Joy, and How Writing Is Informed by Place
On Not Caring if You’re Relevant, Turning Your Interests Into Art, Teacher Troubles, and His Debut Essay Collection ‘Holy American Burnout!’
On the Ancient Problems of Women, Writing Monstrous Men, and Her Novel ‘Fruit of the Dead’
On Writing the Music Scene She Always Wanted to Read About, Timing and the Publishing Marketplace, and Her Debut Novel, ‘I Love You So Much It’s Killing Us Both’
On Not People-Pleasing, Learning from Criticism, and Her Novel ‘Nonfiction’
On Nostalgia, Fame in the Age of the Internet, Writing as Montage, and His Nonfiction Debut ‘Home Movies’