L. Acadia is a lit professor at National Taiwan University, Taiwan Literature Base 2024–2025 Writer-in-Residence, and Pushcart-nominated member of the Taipei Poetry Collective. L. has a PhD from Berkeley and publications including photography, poetry, fiction, and nonfiction. Connect at www.acadiaink.com or on Instagram, Twitter, Bluesky: @acadialogue



Selected work
- Fiction
6
- Nonfiction
12
- Poetry
32
- Hybrid
1
- Multimedia
12

魔神仔 (Móshénzǐ)
Strange Horizons, 2023

Youth in Asia (a mondegreen)
New Flash Fiction Review, 2024

Squatting strangely and「頹廢模式」decadent mode
Stone of Madness Press, 2025

Wakemare: text message from my father
Feral: A Journal of Poetry and Art, 2024

Typhoon Eye
Identity Theory, 2024

War dream: dust and water
manywor(l)ds, 2024

hermit
Lotus-eater, 2024

Without Swedish Death Cleaning
Lesbian Art Circle, 2024

Queer Semiotics Bosnia
Lesbian Art Circle, 2024

that night in Kenting with you
Taipei Poetry Collective Review, 2024

Culture Shock
Taipei Poetry Collective Review, 2024

Parasite
Your Impossible Voice, 2024

Crystalline Anthropogenic Technofossils
Star*Line, 2024

what you’d rather do in lieu of planning for your retirement
Dreams & Nightmares, 2024

Text Message from my Mother after I bought long johns of merino wool, probably factory-farmed
Vilas Avenue, 2024

Line Dancing in a Typhoon
The Mantelpiece, 2024

Sea Rescue, a triolet
Moss Puppy Magazine, 2024

War Dream: Mapped
JMWW Journal, 2024

War Wakemare: Desensitization
Stone of Madness Press, 2024

War Dream: Hebenon Cloud
Exist Otherwise, 2024

War Wakemare: Inured
Songs of Eretz Poetry Review, 2024

Leaves falling and RIP Russell’s turkey
The /temz/ Review, 2024

Ajar
Dreams & Nightmares, 2024

Penciled Note on Her Plant-a-day Calendar Page, Found the Morning After
Nixes Mate Review, 2024

crunchy
Invisible City, 2024

R.S.V.P
NonBinary Review, 2024

six photos
Umbrella Factory Magazine, 2024

Unsolved Elevator Disappearance
Eye to the Telescope: The SFPA Journal of Speculative Poetry, 2024

Enjoy Diversity Shanghai
Tree and Stone Magazine, 2024

Wrong Rainbow
Writers Resist, 2023

German Words English Knew It Needed
The Mersey Review, 2023

Featured Artist for Sycamore Review Vol. 34 Issues 1 & 2
Sycamore Review, 2023

坐月子 (Sitting the Month)
The Dread Machine, 2023

Hangzhou (杭州)
Exist Otherwise, 2023

Kimchi Breath
Stone Pacific Zine, 2023

九份 (Jiufen)
Santa Fe Literary Review, 2023

Text Messages from my Mother: Galaxy-Brain
trampset, 2023

Invasion News
Pinhole Poetry, 2023

War Dream: Bridged
Haven Speculative, 2023

Bones in the Walls (Great Wall)
Tree and Stone Magazine, 2023

Candy for the Mountain Deity
Anterior Skies, 2023

Layered Chiayi (嘉義)
Invisible City, 2023

Oxford High Street
Invisible City, 2023

Hole in the Wall Shanghai 上海
Invisible City, 2023

Connecting Through Technological Immersion
Neon Door, 2023

Not an Iguana
101 words, 2023

Yangmingshan (陽明山)
Reservoir Road Literary Review, 2023

After an Argument with my Mother
New Orleans Review , 2022

she heard the sharks laughing
Gordon Square Review, 2022

Panko
Typehouse Magazine, 2022

Three Poems
Lothlorien Poetry Journal, 2022

Five Photographs
Feral: A Journal of Poetry and Art, 2022

Power On: Lessons from Fictional Smart Homes | 開機:虛構智慧家園的啟示
Chu-Wai, 2022

’Screaming in Delight’: Qiu Miaojin’s Queer Modernist Imagining in and for Taiwan”
Angelaki, 2022

Virgin Bride Summer Camp
The Dodge, 2022

Drop a Chopstick
Neologism Poetry Journal, 2022

Begetting Beautiful Ideas
Academia Letters: a Sympathetic Reading of Rhetoric in the Symposium, 2021

Queer Theory
The Oxford Encyclopedia of Literary Theory , 2021

Conquering Love: Failed Xenophilia in Brian Friel’s Translations
Common Knowledge, 2021

'Only Your Labels Split Me’: Epistemic Privilege, Boundaries, and Pretexts of ‘Religion,’
Intertexts, 2021

Lover of Shadows’: Lotte Reiniger’s Innovation, Orientalism, and Progressivism,” Oxford German Studies
Oxford German Studies, 2021

Coronavirus pandemic is putting civil liberties at risk
The Irish Times, 2020

Martha, Mary, Meister Eckhart: a mystical provocation to mothers as host bodies
The Immanent Frame, 2019