5 contributors on Chill Subs! 🙃
"Red Ogre Review is an online magazine started by graduates of Lancaster University's 2021 Creative Writing Masters class. We're primarily interested in poetry, prose poetry, book reviews and critical essays. We also accept visual art submissions."
Open:
Yes
Vibe: Send us your best but less intimidating
Response time:
1-6 months
Payment:
No
Simultaneous submissions:
Yes
Previously published:
No
Submission fee:
Free
Expedited submissions:
No
Available in print:
Yes
Examples online:
Yes
Average acceptance rate:
15%
Country:
United Kingdom
Year founded:
2021
Has Masthead info:
Yes
Important stuff
No submission fee, but submissions with donations are reviewed somewhat quicker
Genres
👌
Poetry
Max pieces: 10
👌
Review
Max words: 1500
👌
Art
Max pieces: 10
👌
Photography
Max pieces: 10
👌
Hybrid
Max words: 500
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Masthead
We currently list only main editors, more will be added later!
If you're an editor, you can edit your masthead in our admin panel :)
If you're an editor, you can edit your masthead in our admin panel :)
Matthew Bullen
EditorExamples
Contributors on Chill Subs (5)
yessmin
nadinehitchiner
Germany
"German poet and author of the chapbook Bruises, Birthmarks & Other Calamities (Cathexis Northwest Press, 2021). Best of the Net and a Pushcart Prize nominee. Published in Red Ogre Review, Anomaly, The Lumiere Review & others."
Rebecca Macijeski
"Poet and Professor (Dr/She/Her)"
Caitlin C. Baker
Cleveland , OH, United States
"Caitlin C. Baker (she/her) is a human hotplate from Northeast Ohio. She enjoys writing poetry, CNF, spooky fiction, short humor, and silly little songs about her two cats."
Goldie Peacock (they/them)
Brooklyn, NY, United States
"Recent pubs include: fiction in (mac)ro(mic), Powders Press, Fifth Wheel Press, Roi Fainéant Press, Scrawl Place, MIDLVLMAG; CNF in Sundog Lit; poetry in Red Ogre Review, Moon Cola Zine & Ripe. Soon: The Dodge, MoonPark Review, Bullshit Lit, +..."
All contributors (last updated: forever ago)
Contributors are coming :)
(or not, maybe it's too many of them)
(or not, maybe it's too many of them)