WE VALUE the insides of things, vivisection, urgency, risk, elegance, flamboyance, work that moves us, language that does something new, or does something old--well. We like iteration and reiteration. Ruins and ghosts. Mechanical, moving parts, balloons, and frenzy. Buzz us.
Highlights
- Vibe:Send us your best but less intimidating
- Response time: 60 days after submission*/Editor reported data121 days*Chill Subs tracker stats
- Acceptance rate: ?*/Editor reported data9.40%*Chill Subs tracker stats
Publication
Accepts simultaneous submissions
What's that?
When you can submit your work to multiple magazines at the same time
Accepts previously published
What's that?
When the magazine wants to publish your previously published work. Requirements vary
Nominates for prizes
Active on social media
Available in print
Provides contributor copies
Has examples online
Offers expedited response
Runs themed calls
How to submit
Processs
Form
Cover letter
Fill in the comments field with any additional information you’d like to send (a cover letter, perhaps, might be pasted in here; some of our editors enjoy reading those)
Eligibility
No specific eligibility requirements
Formatting
we can read PDF, DOC, RTF, and JPG—no archives, please—and right now we are not accepting sound submissions through the submissions manager
Author's rights
Typically, we acquire first serial rights for work we publish (which means we do not normally consider previously published work). All rights revert to the authors/artists after publication, and the works can then be reprinted (though we ask that we get an acknowledgment as its place of initial publication).
Additional info
Well it's just really cool alright?
Tracker statistics
127
Total submissions tracked
121 days
Average response time
Average acceptance rate
27 days
Fastest response time
318 days
Slowest response time
Сhill Subs is able to provide internal statistics because you use our tracker! You're the best!
About
DIAGRAM is an electronic journal of text and art. As our name indicates, we're interested in representations. In naming. In indicating. In schematics. In the labelling and taxonomy of things. In poems that masquerade as stories; in stories that disguise themselves as indices or obituaries.
Country
US
Masthead
ANDER MONSON
Editor-in-Chief